For Those About To Beard – WE SALUTE YOU!

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Happy National Beard Day! For those that grow and groom, you come from a tried and true testosterone tradition. It is either natural or earned & cannot be faked!

Unidentified Beard Bro photographed by Launey and Goebel

Launey & Goebel Stereoview Logo (reverse side)

This gem of an unknown gentleman popped into Launey & Goebel Photography between 1888 and 1892 and perhaps stopped by a barber just prior or a horse tail groomer first! Launey & Goebel were originally positioned in what is now 141-143 Broughton Street (Barnard St.), where you today find The Gap inside of the old S.H. Kress Drugstore building that operated from 1923-1997. Albeit if you look at the old postcard of Broughton St., you can see to the immediate lower left, the earlier site building where Arthur Launey and eventual partner, George Goebel, first held residency.

Lower Left (G.D or C.D. Kenny Co.) Original Studio Locale

These were classic dark room fellows and while not looking directly at their death certificates, I’m left wondering about how their craft may have contributed to their early deaths. Arthur Launey died in 1908 at 54 (or 63, birthdate varies), with George Goebel (as in Goebel Ave), who died at 57 in 1917. At the time of their deaths, their studio was at 31 Whitaker St (W. Congress) – “Across from Paula Deen’s Y’all! – which houses numerous enterprises today. This building is said to have been built by one of Napoleon’s officers after The American Revolution using wood from his vessel. Notably in the subterranean or basement side corner, you can still see a brick tunnel entrance which may be older than the street-level structure. While Sons of Liberty record is hard to come by, a former owner of the building cited it had been used by them for secret meetings which fits nicely with the former location of rebel tavern, “Tondee’s Tavern” just south of this building at Whitaker St., where The Coffee Fox (rhymes with Swamp Fox), now stands. Why do we bring this up? Because this is the stuff men with beards often like to know!

31 Whitaker St (Looking South from W. Congress St. corner)

After Goebel’s death, it appears Launey’s daughter Ira Garnet, took over the company until 1924 and then vanished from company directories by 1926. Both men are buried in Bonaventure and from what we know, their facial hair still growing (too soon?) Happy Beard Day to all!

Arthur Launey’s Grave In Bonaventure Cemetery

George Goebel’s Grave in Bonaventure Cemetery

 

Rare Bonaventure Cemetery Stereoview

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Historically speaking, one of the rarest Bonaventure Cemetery stereo-views was created by D.J. Ryan of Broughton St. in Savannah, GA – rare for a couple of significant reasons. Generally, there were 2 classic shots sold to collectors (tourists), featuring either the Bonaventure Plantation live oak drive going straight to the river bluff or, more popularly, the live oak alley leading to the original burial section or the “Colonial Garden,” where one visibly sights the George Jones marker as a finishing focal point. At first glance of this 1870s stereo-view, I perceived it to be just that and nearly passed it over. But, I have a studious eye. I couldn’t believe what I was seeing and delightedly so – the ever-mysterious Mongin Tomb! And way, way down at the end! I mean, haystack needle, really.

Mongin Tomb (Photo By Shannon Scott)

Mongin Tomb In Distance

Today such a photo would be impossible to capture as the road was altered by cemetery growth and if one looks hard enough, you’ll see a mound of some kind in the front of the plot where today a fairly massive Magnolia tree has grown, impeding the viewer. Notably, that may be the start of the planting hour for it. Speaking of plants, much like cemetery workers rake and pile leaves today, you can see such piles along the roadway, and then on the far right side you can see a primitive tree ladder which am first to admit is very hard to see! Earlier I used the word “rare,” partly because I peruse Bonaventure stereo-views every week and this is simply one I’ve not come across in many years, so that’s my use of the word, only. But really what makes this a “rarity” is the impeccable condition of the image as more often than not, the object at the end of the tree tunnel is worn away from handling or is so far away from the camera it ends up ultra fuzzy and hard to distinguish. So, to the credit of D.J. Ryan, who may have patiently waited, the sunlight was bouncing off of what then was gleaming white marble (as opposed to now), and he nabbed the shot as perfectly as it could be done. On a final note, the capture is special because The Mongin (& Stoddard) Tomb had just arrived in Bonaventure, recently moved from Daufuskie Island, SC by barge, and D.J. Ryan, perhaps the first to visually document it and may have been his own inspiration in the first place.

One more share for the history and antique photo nerds!

HISTORY EXTRA – D.J. Ryan famously photographed Robert E. Lee and E.J. Johnston to commemorate “Lee’s Farewell Tour of The South,” in 1870