The 5 Nights of Halloween: Evolution, Full Moons & More (Part One)

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It all began years ago with JUST one night. And here we are with FIVE, a sacred number.

“Tis the night—the night of the grave’s delight, and the warlocks are at their play; Ye think that without the wild winds shout, but no, it is they—it is they.”Cleveland Coxe

People visiting Savannah today have no idea of the long arc of Halloween and its sway between beyond thrilling to doldrum ho-hum and then once more, being back on top! Shannon Scott Tours & Events definitely part of it being back where it belongs culturally! Allow us to explain!

Not surprisingly The Irish brought Halloween here at least formally and on a larger basis, in the 1820’s. Per the solstice hours, they burned 50-foot bonfires in at least 2 of the city squares in Savannah, and until the 1950s, in order to embrace the spirit of dancing around them in pagan regalia in order to scare demons from the crops. Which when Savannah was indeed a truly agrarian society in all ways, this was of immense value! Admittedly having simply come from Midwestern, suburbian, Trick-O-Treating, myself, when learning more about Beltane, Samhain or how some Savannahians participated in this sort of ritual before it was cast to the suburbs for some of the lame-same, I was left feeling, well, a little left out of some greater tradition. Not too many people know that beneath some of the squares are intact 6000 to 8000 gallon cisterns which is part of the city’s 1730’s design genius. Only one square, a later Victorian edition, still shows at least some seeable roof design from the square layout. All the same, it was in Washington Square and Johnson Square, where they burned 50ft bonfires until the 1950s when historic preservation became the growing trend and it was decided opstay urningbay bonfires. I often wonder if when that happened, it was a cold stop or presumably there were purists and others who simply lit them in the swamps or countryside or on nearby islands and one wonders about those event stories! I should mention that every Savannah kid worth his salt downtown would spend weeks of collecting boxes, and crates from any willing vendor or business along Broughton Street and City Market and then would store them in the still accessible cistern in Washington Square for the big burn night! I must confess, Savannah seems dull by this measure, and think we should work hard to recreate these bonfires somewhere!

Beltane Fire Dancing

After Halloween was really relegated to tricks and treats and suburban life, there must’ve been 40 years of nothing downtown Savannah. I remember some of it in the late 1980s and 1990s. Halloween was a long dull, thud. The Savannah College of Art & Design students had yet to really pick up some of the slack. There were minor efforts along the way but the downtown canvas was really rather barren. I recall one hour, even as late as 2007, Halloween had fallen on a Friday night which to any purist means its all weekend, but when arriving to the door of a nightclub on Broughton Street in full Vampire Hunter D costume, the bouncer gave me a strange look as he prepared to deny me entrance and snarled, “Halloween was last night dude!” Had I not known the club owner, I might not have gotten inside! So yes, even that late ladies & gentlemen, Halloween overall was a desert at least across the city with only token parties at gay clubs and of course, some legendary house parties. But there was no real “Halloween scene.”

One of the key players in a true return to Halloween is Pittsburgh native, SCAD grad, and all-around true-to-life Savannah artist-in-residence, W. “Gerome” Temple, of whom I can say proudly, was my roommate on Jones Street and before that, good very good friend. He loved the macabre and Halloween and we’d bemoan how lame it really was in Savannah. Many may not believe that one person can be like the firing pin or blasting cap to a new age or movement, but Gerome in many ways, was that. Now, per his humble ways, he’s unlikely to take as much credit as I’m giving him, but I’m telling you Halloween in Savannah owes a great deal to him as that impetus factor, and if I don’t mind saying, to myself. I, on the one hand, was running the city’s most famous ghost tours and drew controversy to myself when launching The Hellfair Ball as a sort of cultural opposite to Savannah’s time-honored, Telfair Ball. It went over like a leaden balloon and had 3 government agencies present paperwork to me. Something about my business license and alcohol. But anyway, it was a stab out in the direction of something fun and outlandish and only ever did it once as I had enough challenges. But sometime in 2003, Gerome decided he was going to build a giant puppet, semi-inspired by Frank The Rabbit in Donnie Darko.

Artist W.Gerome Temple with his puppet costume creations.

Naturally Gerome would take his rmassive rabbit puppet, which when worn, stretched to 12 to 15ft in height? With moving arms marching around created quite a stir downtown Savannah at night and seemed very in line with puppets seen in Day of The Dead festivals, other religious holidays in the world in Spain, Portugal and yes, would be right at home in any Mardi Gras here or abroad. The match was struck and it honestly seemed to breathe a new spirit across the Savannah lands, foretelling of greater Halloweens to come. Within the year, Gerome set upon creating his 2nd puppet, we’ll call him The Red Devil and if memory serves me, Gerome did more than one workshop for young parents and their kids. All part of it.

W. Gerome Temple marching puppets in Savannah in front of St. John’s Cathedral (Irish!)

My rentry to Halloween really simple came about because of Bonaventure After Hours and my evening tours. Nearly any Savannahian will tell you, that in spite of some political attitudes towards it now, some of which pretend that no Halloween anything ever happened in Bonaventure. And to be honest, until I started doing evening tours, I hadn’t fielded too much comment about the memories of locals respective thereof. Yet, in the 1960s, 70s, 80s, adults would take costumed children by the hundreds through Bonaventure Cemetery to humor and really just have some good natured spooky fun. It was all innocent really. Naturally they all wanted to see Little Gracie, and perhaps were told about the sightings of her by at least 2 or 3 sexton families that had lived on the property. Feel free to read my other blog postings, Heaven’s Playgrounds Part 1 & 2 for further insight. Strangely, none of that “fun” is any longer permitted in Savannah cemeteries. In fact, costumes have been outlawed for one reason or the other and makes for some interesting daytime photo shoot encounters I assure you – the costume police! “But, but, but – what about the goth kids? They just dress that way!” Sorry goth kids, you’re on notice!

Drinking My Words Is Good For You…

Yes, you literally can now….or kind of. I’m really happy to present to you 5 loose teas called AntiquiTeas that celebrate 5 amazing women who spent major parts of their lives in and around Savannah, Georgia. This is the first installation and more will arrive with different themes.
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Juliette Low – Founder of The Girl Scouts and true eccentric.
Flannery O’Connor — Author of “A Good Man Is Hard To Find” and “Wise Blood.”
Caty Littlefield Greene — Wife of Gen. Greene & co-inventor and partner in the cotton gin.
Mary Musgrove — An Indian Princess who broke all of the rules & made some of her own.
Jane DeVeaux — Visionary educator who beat the odds with her illegal slave schools.
Mary Haskell — Teacher, lover, editor & financial benefactress to poet-painter, Kahlil Gibran.

I’m a tea drinker so this was an amazing opportunity that came to me courtesy of my friend, Sharon Cobb, proprietor of Griffin Coffee & Tea Company. She desired to do this series of teas but wanted my take on who the women should be and how to orient a whisper of their life stories on the labels of the actual teas. She sent me the teas late last year in 2014 and I spent about a month drinking them and attempted to align certain teas with the women who I felt they spoke to in an esthetic way. So yes, it was more than just randomly slapping a label on a tea for the sake of and the end result left us with a greater feeling of substance and pride. I felt if I could really do the women justice in words, and paired those to the right flavor, it would become a greater sensory experience for the buyer. But beyond that, would intrigue customers to learn new things about women they’d heard of, and then entirely new things about women they’d not! I kind of took a selfish pleasure in imagining them drinking these teas while either doing that research online or hopefully, reading books about them. Or yes, even talking to each other on the phone or in groups about these great women of history. So for me, these teas have been an act of true women empowerment and made without downing men or “the sexes” or citing obvious historical adversities and certainly not latching onto the ambiguity of “feminism.” I sought to inspire people in the purest and truest meaning of the word “inspire.” Let the benevolent actions of the people speak to the seekers, not the politics. And what better way to do that then through their palates? Exactly.

THE WOMEN..

I will say that as I came up as a researcher and then storyteller in Savannah, the histories of certain women really blew my mind and spoke to me at great levels and made this tea project even more perfect. I had known about Caty Greene as this charmer during The Revolutionary War but upon discovering that she really completed the Cotton Gin and was equal partners in in with Eli Whitney, I realized history books had jilted her as much if not more than those who literally robbed her and Whitney of the machine itself.
James Frothingham (American artist, 1786–1864) Catharine Littlefield Greene Miller b
I suppose I grew up with a fairly generic and sterile concept of Juliette Gordon-Low, but years ago upon aquiring a mint condition, 1958 copy of “Lady From Savannah,” written by her nephew and niece as an almost protest act to expand the minds of the world and The Girl Scout organization itself, I was forever hooked and am only sorry I never got to court “Daisy.” She was the wild strain of the family, spoke many languages (including Native American), was a belle, but survivalist and artist. She sculpted, painted, and did wrought iron ironwork! Other than empowering girls for the future by teaching them home industriousness, also taught them how to hunt and hand to hand combat. An early Girl Scout handbook chapter was titled, “How To Disarm & Maintain A Burglar With An 8 Inch Piece of Cord.” Nuff’said.
Juliette Low in Pearls 1922
As a man, obviously when you hear women in particular, say, “A good man is hard to find,” you kind of cringe or laugh, but when I learned a young girl once famed for traveling the country with a chicken that walked backwards, coined the expression and was born in Savannah, I was more than intrigued by Flannery O’Connor. I had also seen John Huston’s incredible film take on her “Wise Blood” novel in high school. She also wore sexy nerdy glasses and walked with a limp like Lord Byron so she was unconsciously hip and to me, sexy as heck. And how many writers can be called “Southern Gothic Christian Realist” in the same sentence? She was witty, wry, and once said, “Friends don’t let friends read Ayn Rand.” What’s not to love!
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We all grow up hearing about Pocohantas, but narely and rarely, does one encounter the stories of the Indian Princess/Queen, Mary Musgrove or as she was known to her people, Coosaponakeesa of The Wind Clan. She was the highest paid non-English person outside of the crown, earning in today’s money, millions of dollars a year as official interpreter of Georgia’s founder, Oglethorpe. And by the end of her life (c.1767), was the largest land owner in the colony. She often wore the colors of war & peace in the same outfit and rabble roused with the best of them and I think of them all, Mary makes me wish for a time machine so I could lay eyes on her. She was a spirit and sight to behold is my gather!
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Savannah has a culture not unlike vodun/vodou(voodoo), called “root.” Instead of witch doctors there are root doctors. And the most famous name tied to all of that in these parts of The South is DeVeaux. Just saying the name aloud in certain corners will get you the most interesting looks. Jane DeVeaux may not have been a root lady but something tells me she cast a spell over the eyes of her detractors in order to run an illegal slave schoolhouse in the middle of the city when such things were punishable by death and banishment. But she did it and continued to raise the minds of others up well beyond slavery. Sadly no picture of her to date, but here’s a photo of her home and the school. To me she symbolizes that even while there were slaves, there were movers and shakers during the thick of slavery who found a way to break the bonds and live free. A lesson for us all. As Dick Gregory said not long ago, “We’re all on the plantation now.”
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I can say without any hesitation that the most serendipitous tea lady so to speak, is Mary Haskell. Close to the day I left Illinois for my first year of SCAD or The Savannah College of Art and Design, my English teacher walked up the drive and handed me Kahlil Gibran’s “The Prophet,” one of the 20th Century’s most recognized books anywhere in the world. The story all about a young man leaving for the world and being questioned by his town people on his understandings of certain life truths. So to arrive to the city where not only his lover and benefactress was buried, but to discover that most of his paintings and drawings were in the nearby Telfair Museum, I was beyond convinced that nothing in the universe as it happens is accidental. Mary Haskell not only offered him her love, but her translation & interpretation skills (he was Lebanese), but also paid for him to go to the Paris Academy. She was often his muse more importantly in his written and other art works. Thankfully she did not burn their 800 love letters and published them as “My Beloved Prophet.” I visit her grave in Laurel Grove Cemetery here often and I think we’re in love but you know…
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One of the neat things we’re offering is a personalized AntiquiTeas Tea Talk for your special event or women’s group. I show up with visuals and while you’re experiencing the teas to taste, I’m pouring stories over your imagination about all of these women. We can price it for small and large events. Its a perfect thing to attach to formal or casual events. Just let us know and we’ll create something teamazing!
ORDER YOUR ANTIQUITEAS TEA SETS OR INDIVIDUAL FLAVORS HERE!
Buy AntiquiTeas Here
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