Lambs of God In Cemeteries

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People often think my life just starts and ends with Bonaventure Cemetery or that I’m just another tour guide or tour company owner. This is hardly the case and a perception that is unfortunate at times. If you ever meet me in person you’ll see I have broad shoulders. Some of that comes from digging graves as a teenager. I’ve done the hard labor and the mental labor equally. All of which lives in my company spirit and how we do things. In the 1980s, while working in a Victorian Cemetery in high school, on a hot summer’s day, I was weedeating at the very edge of the cemetery overlooking a farmer’s field from a higher point where it dropped off a few feet down. Suddenly, the wire blade began kicking up tiny bones, some of them in medical bags, some of them far older. It turns out I’d uncovered a forgotten section where stillborn infants had been reposited. Over time, the erosion had washed that edge more into the farmer’s field bringing the bones closer to the surface. In the end I suppose I saved it by bringing it to the attention of those in charge, but it to this day, remains unmarked and cannot say whether its any more protected than it once was. The world is full of such cemetery sections. Its like a dark secret. Most are only known to certain elders of towns or authorities. And when they die, that knowledge tends to go with them I’ve found. Today its unusual to find a family with 4 children let alone 10, 12 or 16. Having such stock was once seen as the ultimate statement of a family’s richness vs what they simply “owned.” It certainly meant longevity but was also a practical matter. Mothers and fathers knew the deal and at times wondered about the loving faces smiling up at them, “Will we all be together by Christmas? or “Will we all know each other next Spring?” It was not a question of “if,” but rather “WHO” — would end up dying young. This theme has stayed with me as in many ways, children were the number one customers and drivers of the funeral industry in America’s 19th century. Its a bittersweet subject of course but inescapable in my work so I wanted to make this video as a devotion of a kind. It will be one of many. Hope you enjoy it.

The House That Scared Me Most – Part One

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“Is there a house where something scared you?”

As simple and perhaps as obvious as it is? It’s a good question. Especially when getting asked on a daytime cemetery or evening cemetery tour. Anymore I get asked this question or some variety of it by tourists who both have a keen interest in such subjects but who have undoubtedly read up a little on my background. For the record, I’ve conducted more ghost tours than any other figure in Savannah and I don’t mind saying that aloud as in my heyday of doing them, I took the craft to an entirely new level by creating different ghost tours and inside of neighborhoods previously not toured that way. We’re talking many thousands of tours between 1995 and 2012. I’ve also lived in one 1850s haunted Savannah home and have had unexpected psychical experiences in a few others without actively seeking them out. Which is what I try to remind people when I discuss the subject of hauntings. As I used to tell crowds, “I walk into a building the same way you do, through the front door.” 

There was a day in my early life in Savannah, late 1980s & early 1990s, when there were no ghost tours. The many vacant buildings and eerily empty streets haunted Savannah on the precipice of the coming Tourist Boom. There was talk of ghosts yes, but no dedicated tours. Such spectral conversations had a sort of salon-quality around the dinner tables of the old Savannah-guard set. The 1980’s classic by Margaret Wayt DeBolt, “Savannah Spectres,” was mentioned on occasion like an odd cousin but often with a note of respect as a real source. Which it is and to Ms. Debolt’s eternal credit is still a Top 10 seller in most area bookstores. I miss those purist hours really, but after I landed the America’s Most Haunted City award for Savannah in 2002, the ghost tour culture took on a life all of its own that not even I anticipated. So yes, before my brain or the city was rife and saturated with such things, I just wandered around in old buildings as I’d always done since I was a young kid. A past-time that survives in my life to this very day.

Beyond Savannah, having worked for “Scariest Places On Earth,” “Ghost Hunters,” MTV’s “FEAR” and ABC Family’s “Real Scary Stories,” I’ve researched and been inside of my share of haunted hospitals, asylums, castles, monasteries, forts and homes. The whole nine. But that was work and typically I never felt scared in them or by them. TV shoots seem to dilute such things for at least myself. Nothing makes a building less scary than a bunch of monitors, generators, lights, cameras, crew and people talking all of the time.
In my life, I’ve been party to dozens of ghosts hunts, including a weekend at Savannah’s Marshall House the weekend before it officially opened and around the same time, organized the first investigation of The Moon River Brewpub ever conducted by a bona fide scientific organization, The American Institute of Parapsychology. Even so? Other than being fun social events with some interesting people and findings, bringing great attention to Savannah and in some cases, re-energizing businesses, the investigations themselves never much held my attention. I enjoyed it for others but at heart, I’m a solo artist. I like to go into old buildings alone or with one other person, feel them out for themselves without all of the gadgety stuff. I like to let buildings be themselves and reveal what they want to show me. You can’t really do that in mixed company in my opinion. Or in the same way.

PART TWO of “The House That Scared Me Most” Tomorrow!